Art Director at Modan Publishing House, and Senior lecturer at Wizo Academic Institute in Haifa. Israeli graphic designer who specilaizes in book design and book covers. Commercial letterings from the Republic of China and a calligraphic style named Qishu from the Qing Dynasty jointly inspired the typeface. A brilliant and bold reverse-contrast typeface with an emphasis on Hanzi. A monospaced monolinear sans family by Zheng Chuyang and Li Zhiqian, covering Latin, Hanzi (Chinese), Arabic, Cyrillic and Devanagari. It was derived from cursive handwriting and Chinese calligraphy. A modern polygonal typeface for Hanzi, by Li Zhiqian. A Hanzi font by Roman Wilhelm that reflects the character of Hong Kong. Covering Latin, Vietnamese, and Hanyu Pinyin, this 6-style typeface family revives the award-winning text typeface Freundschafts-Antiqua made in 1959 by Yu Bingnan. Freundschafts-Antiqua Neue (2017), by Roman Wilhelm.It covers Latin, Cyrillic and Arabic, including the Persian, Urdu, Uyghur, Kazakh and Kirgiz versions. A poster typeface by Zheng Chuyang, after an idea by Luise Schenker. A pixel typeface for Latin, Arabic, Hebrew, Cyrillic and Chinese by Willie Liu. An attractive Latin / Hanzi text typeface that refers to the Ming Dynasty astronomer / mathematician / scholar Xu Guangqi (aka Paul Siu, 1562-1633).
They specialize in multilingual and multiscriptual typography and type matching, in particular for Chinese, Latin, Cyrillic and Arabic. These features, together with the inherent, complex beauty of Mariage's forms, make this typeface a perfect choice for certificates, awards, and newsletter mastheads.TYPE DESIGN INFORMATION PAGE last updated on Especially in the United States, classicist Old English typefaces are thought to espouse tradition and journalistic integrity. For contrast, compare Mariage to a classical German fraktur design, Fette Fraktur, a schwabacher style face, or the popular early 20th Century calligraphic gothic from Linotype, Wilhelm Klingspor Gotisch. Old English style types often appear drastically different from other blackletters. For an example of what these Victorian designs looked like, check out the popular 1990 revival of the genre, Old English. Benton's design for ATF builds upon earlier Victorian classicist interpretations of Old English/textura letters. Today, this sort of update is often referred to not as "modernization" but as classicism.
They desired to modernize this old style. Yet they also found the basic medieval textura letterform too difficult to read by present standards. During the Victorian era, designers admired the Middle Ages for its chivalric, community-based values and its pre-industrial lifestyle. Mariage is heavily classicized sort of Old English type. For northern Europeans, texturas remained the most popular form of typeface design until the invention of the fraktur style in Nuremberg. Italian printers stopped using them around 1470. Continental printers had been printing with textura style letters since Gutenberg's invention of the printing press fifty years earlier. The Old English style is a subset of blackletter type that dates back to 1498, when Wynken de Worde introduced textura style printing to England. Their forms often print large amounts of ink upon the page, creating text that leaves a heavy, black impression. These letters, called gebrochene Schriften, or "broken type" in German, are normally elaborately bent and distorted. The term blackletter refers to typefaces that stem out of the historical printing traditions of northern Europe. Mariage, which has been sold under a plethora of different names during the last century, is a blackletter typeface belonging to the Old English category. Morris Fuller Benton, the principal designer of the American Type Founders, designed Mariage in 1901.